Renaissance · Europe · Culture
1635
Van Dyck at the Stuart Court
1635
The Flemish master Anthony van Dyck, established in London as principal painter to Charles I, produced his great equestrian portrait of the king in armor: calm, sovereign, slightly undersized. His elegant aristocratic manner would shape English portraiture for two centuries, long after the monarch himself had lost his head. Van Dyck's vision of royal grace became the template for power depicted in paint.